Neighbors

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The Miller’s are a perfectly ordinary couple. They live in an ordinary apartment, in an ordinary town, keep ordinary jobs, and complete ordinary tasks, such as house sitting for neighbors on vacation. He completes ordinary tasks like feeding the cat and watering the plants. Of course, Bill Miller’s human urge encompasses him, and he obeys his ordinary curiosity, like checking the fridge, medicine cabinet, and closets. His fascination turns awry and he eats their food, takes their cigarettes, takes their pills, and spends hours there. Raymond Carver’s stylistic choices such as simple tone, elements of setting, and minute detail imply the odd actions of the Miller’s are commonplace.


The straightforward tone used in “Neighbors” makes the plot seem unexciting and average. The vocabulary that Carver uses is one example of his tone. He makes his plot seem low-key by using short, simple words. Most of his dialogue is in commands and he often uses fragmented sentences. His use of punctuation makes the thoughts seem uneven, and makes the flow abrupt but contradicts nicely with the odd plot. His writing is so simple and to the point that even the most bizarre ideas seem like the right idea.


“Let’s go to bed,” he said.


“Now?” She laughed. “What’s gotten into you?”





“Nothing. Take your dress off.” He grabbed for her awkwardly and she said, “Good God, Bill.” He unfastened his belt. ( )


Something lacking in the story is a clear setting. This is not noticeable while reading, because the elements of setting that Carver DOES use convey an ordinary picture of life. Nothing you read needs to be questioned, it is just taken as it is. From the beginning it the actual location of the Miller’s home is left out, all the reader needs to is that the Miller’s are in the Stone’s apartment. The detail left out because we are filled with the world of the Stone’s, the most crucial part of the setting. Carver gives us just enough of the Stone’s world to be satisfied, and not notice the obvious lack of a concrete setting.


In fact, all of Carver’s writing lacks minute detail, but contains enough to illustrate a picture in the readers mind. Times in the Stone’s apartment show many things about the Stone’s but not much is revealed of the Miller’s, who seem to be the story’s protagonists. But the fascinating world across the hall keeps a reader occupied and not concerned with the lack of Miller-related material.





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