Departure

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Riiiiiiiiip!!!!!! Lunatic and psychotic, the woman in “The Yellow Wall-Paper” furiously tears down that peculiar wall. The rupturing of the yellow wall-paper is a symbolic departure toward freedom from a constricted world she lives in. She is trapped in a society where a wife is required to act proper and obedient to her husband, as if she was a dog on a leash to the owner. Gilman wrote in a diary-form that centers the entire plot on the woman’s emotions, so her rapid psychological changes are evident. Her frustration and irritation build to a point where she becomes so crazy that she deliriously sees mysterious women behind the yellow wall-paper. This creeping woman is her hidden and constricted identity that breaks free as her facade of a subservient and helpless wife shatters.


Because she has no voice in her marriage with John, she is forced to stay at a house where the yellow wall-paper traumatizes her. John decides to rent a colonial mansion for three month for recuperation for his ill and weak wife. Although this action was meant for her cure and happiness, she wishes that she was not with the horrible, yellow wall that looks “like broken neck and two bulbous eyes”(14). She is incapable to feel safe or lively at the rented mansion because of this wall. Her husband ignores her complains and “laughs at [her] so about this wall- paper”(14). He does not listen to his sick wife’s plea of leaving the evil wall-paper and makes her stay until the three-month rent is done. John also neglects to take care of her health properly. He is a physician with a high standing and ego so he “assures friends and relatives that there is really nothing the matter with one but temporary nervous depression�a slight hysterical tendency”(140). No matter how much she protests her ill health, he stubbornly tells her that she is fine, even in a mocking tone. She should be the one that knows her own symptoms best, because it is her body, but his status as a husband and doctor overpowers her state. Her husband’s lack of serious attention to her health and fear of the wall-paper signifies how standard husbands treated wives unfairly during their times. Typical wives were ignorant and child-like, so the husband had to tell her what to do and how to feel. Yet, she accepts this stereotypical husband with no doubt and considers that he is doing the best for her. John controls her life, and all she does in it is to cry from the fear and isolation with the wall-paper. Disregarding her complaints was a significant mistake for John, because her fascination of the wall-paper never ceases and ultimately drives her to pure madness.


Her obsession with the wall-paper increases significantly as her relationship with the controlling husband alters. Her fear changes to a fascination as she continues to lazily lye down and stares at the questionable wall while her health staggers to improve. Gazing and investigating the paper, her attachment to it intensifies. Like a child bragging about her toy, she is proud that “there are things in that paper that nobody knows but [her]”(146) and grows an exclusive desire to monopolize it. Her amusement and infatuation with the wall are creating difficulties and misunderstandings in their marriage. She begins to notice a strange queerness of John and blames the wall-paper for it. She spies on him to catch him staring and studying the pattern of the wall-paper. But still she wishes that she was nowhere near the wall, but she believes that it is “hard to talk with John about [her] case. Because he is so wise” (146). She expresses the typical women’s attitude of belittling herself in front of the husband that he is wiser, smarter, and more correct. But even when she does talk to him, he becomes furious at her for bringing up such a pointless thing. The inflexible husband thinks that it is selfish for her to want to leave when he rented the mansion for her health’s sakes. It is ironic that his intentions produced the opposite outcome, because the house with the wall-paper is the catalyst of her increasing insanity. The wall also gradually ruins the proper and typical marriage they used to have. At the end, she ultimately values the wall-paper more than her own husband by wishing that “he would take another room” (150) because she wants to hog the wall-paper to herself. She is in love with the wall-paper and begins to hallucinate visions with in the paper�colors, patterns, and even “a woman stooping down and creeping about behind that pattern” (146).


Her final days at the haunted mansion when she loses sanity clarifies that the creeping woman in the yellow wall-paper was, in fact, another side of the narrator. Her passion for the patterns and creeping objects of the wall-paper is beyond fear and obsession; the yellow wall-paper is her life now. She is determined to fully comprehend the wall-paper and does not “want to leave now until [she has] found it out” (148). The strenuous spying of the paper makes her change her life style to an unhealthy, nocturnal one sleeping during the day and watching during the night. She discovers that the wall is the strangest yellow that reminded her of “old foul, bad yellow things” (148). The wall is a reminder of negative thoughts because it contains a side of the character that must be hidden. There is a part of her that is dying to break free from the compressed society, but she wants to be a proper and dutiful wife so she must hide that secret desire. Another discovery she has is that the wall looks like it is moving because the woman behind the paper shakes it. This imagery of a woman trying to get out of jail signifies that the narrator is symbolically imprisoned. She cannot get out of this mansion or the obsession with the wall, as if she was in a jail. She is trapped in society’s constriction that forced her to hide her opinions and succumb to the stubborn husband. Additionally, she hallucinates that the “pattern strangles [the women] off and turns them upside down, and makes their eyes white”(14). This horrible imagination of strangling reveals the desperate stage of the narrator. She is so constricted and controlled that she has no room to breathe as if she was strangled to death by society’s expectations. Ultimately she wants to capture and tie the creeping woman, which means that she wants to get a hold of her true nature that is hidden behind the wall. The two sides of the narrator, the proper wife that is losing sanity and the creeping woman behind that wall, work together to pull and shake the yellow wall-paper to achieve the same goal to have freedom. When she tears off the wall-paper, her creeping woman side is finally let free, however she is outwardly absolutely insane. As she crawls around the room like a mad cow, she yells, “I’ve pulled off most of the paper, so you can’t put me back” (15)! Her true self was imprisoned in the wall-paper and the ultimate sacrifice to free her identity from it was to lose sanity.





Being true and free is an absolute necessity to live, and one will go insane without it like the women in “The Yellow Wall-Paper” did. It is too bad that her only way to express her true identity was to become insane. Shame to society for creating such a rigid and restricted world for women. Everyone has something equivalent to the yellow wall-paper that represents one’s true nature. It is important to reveal that yellow wall-paper, without losing sanity, to live a fulfilled life.





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