Saturday 7 April 2012

The Modern World

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Walk up to any random person on the street and ask them to give you their


interpretation of what art is. The chances of any two responses being similar is


considerably slim. Art in itself is another culture with its own history and


language. Impressionism, Cubism, Dadaism, Baroque, and all the numerous


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other forms through history have occupied critics for hundreds of years trying


to


describe and identify each piece. The actual pieces that have been salvaged


through the years are not the only link to what art really is. From the stages


of


the Renaissance to the Modern Art that occupies the minds of recent artist, this


culture has progressed to new and unexplored areas of the previous. It is an


absurd scheme to conquer to try and determine what exactly art is. Each person


contains their own opinion of the art world, whether educated or a general


interpretation. This has allowed the recent run of modernism in the art world


to


tackle the minds of critics, the public, and the actual artists themselves.


Modernism began to arise in the second half of the 1th century. Confusing


and intriguing many, modern art was considered en vogue by both the artistic


and common mind alike. “Modern Art arrived in the United States in the 10’s


not like a rebel commando force but like Standard Oil” (Painted Word, ).


With


this statement Tom Wolfe is placing this modernistic art form in a universal


category. It is not whether a piece has extreme use of composition, color, or


content, as much as it is whether the piece is inventive and original. Critics


have both praised and condemned the work of modern artists. Marcel


Duchamp took a urinal and claimed it as his own piece of art. This frustrated


many, but the idea of it as art intrigued more.


Since the 10’s when Modernism first began to blossom, it has progressed


with new categories including Dadaism, Abstract Expressionism, Surrealism,


and Verism. The paintings of Salvador Dali take the elements of surrealism and


produce work that has left a new mark in the world of art. Compared to


Rembrandt, one could say that Dali has taken the history of art and progressed


to an unexplored frontier of art. Dali is not alone. Picasso, Manet, Degas,


and


Duchamp have all contributed this historical phase of Modernism.


Art holds many barriers that can be broken. In my opinion, this complexity


allows everyone to relate to the art on many different levels. It also leaves


interpretation open to the viewer on a personal level. To just look at a piece


and


determine the useage of composition, color, or design, is part of the past in


the


world of art. Finding the meaning behind why the artists consider their work a


form of art is what attracts the minds of viewers. Manifesto once said, “Once,


the


task of the artist was to make good art; now it is to avoid making art of any


kind.”


Are artists truly avoiding making art of any kind, or is it merely unaccepted by


the


public to this progression in the world of art?


I feel that the Modern Art allows our minds to think on more of an abstract


level,


creating an obsession with finding the purpose of each creator. Modernism is


both scorned and adored by many. If we had not allowed this new era to arise,


where would the world of art stand today? There is the chance that art could


still


be interpreted on the same level as every other piece. Modern art leaves room


for interpretation and imagination of both the viewer and creator, and with this


Modernism has taken a step to a more complex form of creating and viewing art.




















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