Thre Eyes Were Watching God

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In the novel, Their Eyes Were Watching God, the author, Zora Neale Hurston, uses colloquial, low register and metaphorical language as well as simile greatly. Through the use of these languages in the first three pages, Hurston begins to develop the characters of the novel. It develops the main character, Janie Starks, as beautiful and as the townspeople as critical and jealous.


The second page of the novel begins use colloquial and low-register language. Townspeople first begin to chat with one another on this page and the author uses the southern black accent as the colloquial language. This forms a comfortable common atmosphere and environment for which gossip could take place. From this gossip a judgmental and critical characteristic is developed. “What’s she doin coming back here in dem overhalls? Can’t she find no dress to put on?-Where’s dat blue satin dress she left here in?”. In the talk between the townspeople they are gossiping about Janie Starks and by the use of the low-register language you can tell that they are all being critical. Hurston uses a series of parallels in the structure of the sentence and with the low-register southern black accent, using words like “dem” and “dat” gives a common place for gossip to occur. The author wants the reader to expect the gossip and therefore develops the townspeople through how they talk and what they’re talking about.


Metaphorical language also develops the characteristics of the townspeople as well as Janie Starks. The very beginning of the novel begins with metaphor. “So the beginning of this was a women and she had come back from burying the dead….She had come back from the sodden and the bloated; the sudden dead, their eyes flung wide open in judgment.” In this quote there is the metaphor of Janie Starks. She had to leave her past quickly and the author compares it to a woman “burying the dead”. By using this the author effectively shows the past of the women and what she might be like now. It also gives evidence of what the townspeople might think of her. Hurston uses the burying of the dead to describe her because it shows that the townspeople are suspecting and critical towards Janie. They expect the worst, that she was a murder from another place. They are critical towards where she came from, what she did, what she’s doing now. As the author uses this sentence metaphorically, there is also a literal meaning to it that the townspeople share to criticize. , that she’s literally is coming back from burying the dead.


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There is much simile throughout this novel. And in the first three pages there is still evidence of it. This simile forms a carefree and beautiful image of Janie Starks and a jealous image of the townspeople. Towards the end of the passage, on page two, it talks about how “the men noticed her firm buttock like she had grapefruits in her hip pockets”. The simile used in this quote makes it seem like Janie’s butt is a luscious basket of fruit and the impact on the reader is that she is beautiful. Her beauty is further explained by simile when Hurston draws an image of her hair. “The great rope of black hair swinging to her waist and unraveling in the wind like a plume.” By using simile, comparing Janie to fruit, Hurston develops Janie Starks as a beautiful woman that all the men check out. And by the following of gossip with colloquial language it is seen that they women are jealous of Janie. “ ‘She ain’t even worth talkin’ after,’ Lulu Moss drawled through her nose. They talk critical about her after she walks by and all are attracted to her and it is evident by the actions of the townspeople gossiping after Janie walks by and is describe as sexy and beautiful through using simile.


Throughout these three pages simile, metaphor and colloquial low register language is used in order to develop both Janie Starks and the townspeople. The language used by Zora Neale Hurston develops the beautiful characteristic of Janie Starks and the critical jealousy of the townspeople towards Janie.





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